Xerxes was a flautist extraordinaire. Well before he was out of nappies, he was the master of the aulos. He played “Happy Birthday” to himself on the nasuri at his third birthday party. In his fourth year he the instrument that would be his eventual undoing found him — the piccolo. Some compared him to Orpheus while others thought him more like Pan, but the character of ancient legend and myth that captured his imagination was the Rattenfänger von Hameln. He started with his hamster late one night and found that he could enchant the animal to do all sorts of tricks. He moved on to his sister’s guinea pig. Once he had the two of them completely under his spell he set his sights on to the field mice that kept the tabbies of the household fairly fat if not actually lazy. Soon he could command hundreds at a time.
For weeks he would climb from his trundle-bed at night and delighted in making the mice dance by the light of the moon. Alas the mice became addicted to his nocturnes and came scurrying to his nursery like opium fiends to their dens. Then one night the unthinkable happened. Our young hero was exhausted from a raucous game of blind man’s bluff followed by a last man standing bout of red rover. The mice came and sat eagerly waiting for the haunting and piercing strains of their master’s piccolo. They began to move closer like a crowd eager for the start of the auto-da-fe. When the got no attention, they climbed the bedclothes and mounted his catatonic form. One bold mouse gave a quick nip at the master’s hand to rouse him. Another did the same to his foot. Soon in a musine frenzy they were taking hunks of flesh from him.
His bones were laid to rest in the Church of St. Smintheus.
As ever my sincere thanks to Edward Gorey.




